New PDF release: AMERICAN WRITERS, Supplement VII

By Jay Parini

ISBN-10: 068480624X

ISBN-13: 9780684806242

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Additional resources for AMERICAN WRITERS, Supplement VII

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The image of winding ivy relates to academe, for centuries a bastion of formalist aesthetics. Ammons poses academe's own emblem against it: ivy is organic, its form is its growth, its growth is winding and sprawling. The principal structural innovation Ammons produces in The Snow Poems is a diptych effect. A poem runs alongside his main poem to form a commentary on it or to supplement it. if you caught a duck-glimpse as a first seeing of the thin-tapering hemlocks (a row of raving beauties) you'd think they'd waggled and whipped, worn off in the wind that way ringneck & redwing (redneck & ringwing) 34 / AMERICAN WRITERS Ammons is showing that thoughts and things vie; meanings tie into each other and then disunite as birds fly out of a tree.

Which, he agreed, is not an attainment that fuels the poetic imagination. For the next twelve years Ammons worked mainly in southern New Jersey as a sales executive for his father-in-law's company, which manufactured glass for laboratory equipment. He also did some magazine editing (The Nation, Chelsea) and worked in real estate: "I didn't sell one house. " During this period he published his first book of poems, Ommateum, with Doxology (1955). A vanity press publication, the volume sold sixteen copies in the first five years.

Here Ammons, the Yankee transcendentalist—like Thoreau and Frost—implies that belief in heaven necessarily second-rates mortality and makes of human living merely a dress rehearsal for the life that supposedly really counts: eternal life with God in heaven. In "Birches" Frost said, ". . " Certainly not in bodiless heaven. Ammons brings us to the paradox that is transcendentalism: spirit is physical and heaven is on earth. The very style of "The Hubbub"—Ammons' typical colloquializing of the metaphysical—affirms his theme.

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AMERICAN WRITERS, Supplement VII by Jay Parini

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